Navajo Mountain – Head of the Earth

Navajo Mountain (Naatsis’áán – Head of the Earth)

 

Navajo Mountain - Head of the Earth

According to Navajo oral traditions, Navajo Mountain and Rainbow Bridge are integral parts of the creation story cycle.

After forming the six most sacred mountains–Mount Taylor, Blanca Peak, San Francisco Peaks, Hesperus Peak, Gobernador Knob and Huerfano Mountain–the First People created several more important peaks.

Although Navajo Mountain isn’t one of the six most sacred mountains, the peak does carry such significance that traditional Navajos still refuse to climb the mountain above the lower elevations.

Traditional Navajos believe these mountains and their spirits can help cure the sick, protect the people and bring rain.

In one creation myth, the Navajos traveled far in their quest for their homeland and carried with them five animals–a bear, a snake, a deer, a porcupine and a puma. After many days of travel, the people abandoned the snake and the porcupine near Navajo Mountain.
“The snake and porcupine were of no use, but were a trouble instead, since they had to be carried along.” They turned the snake and porcupine loose at Navajo Mountain, which is why they exist in great numbers in this region today.

Navajo Mountain, a large laccolithic dome, straddles the Utah-Arizona border of the Navajo Indian Reservation. The Navajo call this sacred mountain Naatsis’aan, “Head of the Earth Woman.”

Navajo Mountain has a rich and varied historical past. The earliest maps identify it as Sierra Panoche. The ruined dwellings and irrigation ditches of Desha and Anasazi people, evidence of years of human occupation, still stand on nearby mesa tops, canyon walls, and desert floors.

Official documentation of the occupation of Navajo Mountain began with Spanish explorers and Catholic fathers Anastasio Dominguez and Silvestre Velez de Escalante, who “met only Paiutes” when they forded the Colorado River near Navajo Mountain in 1776. The San Juan Paiutes and Navajos occupied the surrounding mesas and rugged canyons in the early 1800s.

The Paiutes had friendly relations with both Navajos and Utes (traditional enemies of the Navajos), and frequently served as a bridge between the two. They began losing their traditional lands between Navajo Mountain and Kayenta in 1884. Over the years, the Navajo succeeded in getting Paiute holdings added to their reservation. In the 1980s, the Paiutes asked to be recognized as a distinct Indian tribe.

According to Navajo oral traditions, Navajo Mountain and Rainbow Bridge are integral parts of the creation story cycle. These two landforms are key fixtures in the story of Monster Slayer and are important ceremonial sites for the Protectionway and the Blessingway.

Rainbow Bridge

The discovery of nearby Rainbow Bridge by white men created controversy over whether John Wetherill, Byron Cummings, or W.B. Douglass saw or reached the bridge first. A number of amateur and professional archaeologists surveyed Navajo Mountain; they included John Wetherill, Earl Morris, Ralph Beals, Neil Judd, J. Walter Fewkes, Harold S. Gladwin, A.B. Kidder, Byron Cummings, and Charles L. Bernheimer. In 1960 and in 1981 Alexander J. Lindsay and Richard Ambler excavated sites near Glen Canyon and the northeast portion of Rainbow Plateau for Northern Arizona University.

The Rainbow Lodge and Trading Post were built in 1924 by S.I. Richardson and his son Cecil. A second post, a tent operation located near War God Springs, was operated on the other side of the mountain by Ben and Myri Wetherill. In 1932 the Dunn family from Chilchinbito established the Navajo Mountain Trading Post near Cottonwood Wash; it was sold by Dunn’s daughter Madelaine Cameron in 1978.

Trader S.I. Richardson claimed the road he built in 1924 from Red Lake to Navajo Mountain followed an ancient “Ute War Trail.”

Sources:
Navaho Legends by Matthews, Washington,- Navaho Legends.
Sacred Land, Sacred View – Robert S. McPherson
Utah History Encyclopedia

The Four Navajo Sacred Mountains

Mount Blanca (Tsisnaasjini’ – Dawn or White Shell Mountain – East
Mount Taylor (Tsoodzil – Blue Bead or Turquoise Mountain) – South
San Francisco Peaks (Doko’oosliid – Abalone Shell Mountain) – West
Mount Hesperus Dibé Nitsaa (Big Mountain Sheep) – Obsidian Mountain – North

Navajo People Website Links:

Navajo Culture – Navajo History – Navajo Art – Navajo Clothing Navajo Pictures – Navajo Rugs – Navajo Language– Navajo Jewelry – Navajo Code Talker – Navajo Pottery – Navajo Legends – Hogan’s – Sand Painting – Navajo Food – Navajo News – Navajo Nation

Mount Blanca (Sisnaajini) Navajo Sacred Mountain

Mount Blanca (Sisnaajini) – Dawn or White Shell Mountain

Direction: East ( Ha’a’aah)
Color: White (Ligia)
Protector: Bear (Shash)

Mount Blanca (Sisnaajini) - Dawn or White Shell Mountain

 

Mount Blanca (Sisnaajini) Navajo Sacred Mountain

The mountain is considered to be the eastern boundary of the Dinetah, the traditional Navajo homeland.

When the Holy People had assembled the things with which to dress the East mountain, they traveled by way of a sunbeam and rainbow beam to decorate Sisnaajiní.

The Holy People dressed Sisnaajiní with a perfect white shell for positive thoughts and thinking.

Then the Holy People ran a bolt of lighting through a sacred mountain to fasten the East mountain to our Mother Earth.

These are the Holy People that were told to live in this sacred mountain:
1. Dawn Boy and Girl
2. White Bead Boy and Girl
3. White Corn and Male Rain
4. Rock Crystal Boy and Girl and Birds
5. Spotted White Corn for vegetation symbols
6. White Wind, Spotted Wind gave life to this mountain

As Navajo people, we were given Blanca Peak as a starting point. Blanca Peak was put in the eastern direction because the sun rises from there at the start of each day.

Blanca Peak should be thought of as the ‘north arrow’ on a map, which determines the orientation of a person’s mind and physical presence on earth. The eastern direction is easily determined each morning as it is dawning. The sun then rises.

During this process, you are waking up and thinking what it is that you will be doing for the day.

As you go outside of your Hogan, you’re already facing east toward the Holy People. So, being that Blanca Peak is in the eastern direction, Blanca Peak represents ‘thought’.

Thought comes first in everything that you do. Blanca Peak was carefully formed.

Its spirit is that of the Holy People and its appearance is that of varying plants such as trees and flowers.

In that respect, your first thoughts have those same characters.

The literal translation of Blanca Peak (from Navajo) is Black Belted Mountain. There are many stories in why it is called that.

Each of the sacred mountains is a holy person dressed in various outfits. Blanca Peak has a belt. A layer of trees around it that is caused by the ‘tree line’ forms the belt. Just like any of the sacred mountains, Blanca Peak stands on its feet and extends out its arms.
Sources:
Navaho Legends -Matthews, Washington,-.
The Dîné: origin myths of the Navaho Indians – O’Bryan, Aileen.
An ethnologic dictionary of the Navaho language – Franciscans, Saint Michaels, Ariz.
Foundation of Navajo Culture, by Wilson Aronilth, Jr.,

The Four Navajo Sacred Mountains

Mount Blanca (Tsisnaasjini’ – Dawn or White Shell Mountain – East
Mount Taylor (Tsoodzil – Blue Bead or Turquoise Mountain) – South
Mount Humphrey (Doko’oosliid – Abalone Shell Mountain) – West
Mount Hesperus Dibé Nitsaa (Big Mountain Sheep) – Obsidian Mountain – North

Other Sacred Mountains

Huerfano Mesa – Navajo Sacred Mountain
Gobernador Knob – Navajo Sacred Mountain

The Navajo Sacred Mountains Poster

The Navajo Sacred Mountains Poster

 

Navajo People Website Links:
Navajo Culture – Navajo History – Navajo Art – Navajo Clothing Navajo Pictures – Navajo Rugs – Navajo Language– Navajo Jewelry – Navajo Code Talker – Navajo Pottery – Navajo Legends – Hogan’s – Sand Painting – Navajo Food – Navajo News – Navajo Nation

Navajo ceremonies rites of the Mountain Chant

Most Navaho ceremonies are conducted, at least primarily, for the purpose of healing disease; and while designated medicine ceremonies, they are, in fact, ritualistic prayers. There are[pg 078] so many of these ceremonies that no student has yet determined their number, which reaches into scores, while the component ritual prayers of some number hundreds. The principal ceremonies are those that require nine days and nine nights in their performance. Of the many now known the names of nine are here given: KléjÄ• Hatál, Night Chant;4 TzÄ­lhkí̆chÄ­ Hatál, Mountain Chant; HozhónÄ­ Hatál, Happiness Chant; Natói Hatál, Shooting Chant; Toi Hatál, Water Chant; AtsósÄ­ Hatál, Feather Chant; Yoi Hatál, Bead Chant; HochónchÄ­ Hatál, Evil-Spirit Chant; Mai Hatál, Coyote Chant. Each is based on a mythic story, and each has four dry-paintings, or so-called altars. Besides these nine days’ ceremonies there are others whose performance requires four days, and many simpler ones requiring only a single day, each with its own dry-painting.

Pĭké̆hodĭklad - Navaho

Pĭké̆hodĭklad - Navaho

Photograph 1907 by E.S. Curtis

This, the first of the dry-paintings employed in the rites of the Mountain Chant—a nine days’ healing ceremony of the Navaho—as in the Night Chant, is used on the fifth night, when the purpose of the performance is to frighten the patient, and thus banish the evil within him. The name of this painting, “Frighten Him On It,” is identical with that of the one used at the corresponding moment in the Night Chant.

The whole represents the den of a hibernating bear. Inside the ceremonial hogán is thrown up a bank of earth two or three feet high, with an opening toward the doorway. Colored earths picture bear-tracks leading in; bear-tracks and sunlight—sun dogs—are represented at the four quarters, and the bear himself, streaked with sunlight, in the centre. The twigs at the entrance of the bear den represent trees, behind which bears are wont to dig their dens in the mountain side. Everything tends to make the patient think of bears. He enters midst deep silence and takes his seat upon the pictured animal. The play of his imagination has barely begun when a man, painted and garbed as a bear, rushes in, uttering hideous snarls and growls, in which all assembled join. Women patients seldom fail to faint.